Film review – Thelma (Joachim Trier, 2017)

Supernatural horror ‘Thelma’ begins with an unforgettable opening scene. A girl called Thelma, no more than 7 years old, is hunting with her father Trond (Henrik Rafaelsen). The man allows her to walk ahead of him, entranced by the sight of a deer and the prospect of its impending doom. Trond instead points the gun at his daughter’s head, with a expressive face that reads as both fear and temptation.

It’s an arresting opening shot that is hard feel anything but intrigue for. Why was a man willing to kill his own daughter? What sort of emotional termoil are they both experiencing? It’s brilliant filmmaking.

It is followed up with a long shot of a pedestrianised square. The viewer is essentially challenged to a game of ‘Guess Who The Main Character Is’. Eventually, the slow pan begins, finally focusing on Eili Harboe, who portrays the titular Thelma, some ten years after the opening scene.

Director Joachim Trier, in these opening shots, is warning us what he is about to do with his film – drawing us in slowly and leaving us guessing until he, by design, reveals what we need to know, with maximum impact.

The square, we learn, is at the University of Oslo, where Thelma has just begun her studies. A deeply-religious girl who refrains from drinking, she struggles to settle in and make friends. However, when she has a seizure in the middle of the study area of a library, she is helped by a girl called Anja (Kaya Wilkins).

Becoming increasingly friendly with Anja, Thelma begins to express herself more, eventually becoming physically attracted to her. However, her journey of self exploration doesn’t stop at her growing lustful emotions for Anja and she begins to worry about the causes of her seizures and the dark secrets that lie behind them.

What Trier has achieved with this story is nothing short of remarkable.

It’s a visual wonder, full of memorable set-pieces that jump out of the screen and leave a lasting memory. A scene at the opera oozes with tension as Anja and Thelma search for each other’s hands in the safety of a dark public space. With the accompanying concerto raising the pace and increasing filling the auditorium with volumous classical music, Thelma begins to feel another seizure engulfing her mind. It’s a stressful thing to watch, and captures the threat she feels perfectly.

Harboe is the perfect casting for the title role. She has a naturally distant expression on her face that gives nothing away. It borders on cold, making her eventual emotional expressions feel genuinely surprising. When she finally kisses Anja, you can feel her blushing. She knows it goes against everything she has learned as a child and is scared and excited about her new discovery.

The flashbacks serve as a means to reveal to truth behind her story, what the seizures mean and the shocking reason her father was willing to murder her as a child. The make-up department has done a fantastic job of making these flashbacks believable, without trying too hard to make them look like the parents are caked in make-up – too often a failing of bigger-budget releases.

The culmination of the film hits like a crescendo, and Trier plays the audience perfectly with a balanced build up to the final pay-off.

This genuinely is an excellent film and one that should do well outside its home country. It has also been submitted as Norway’s nomination for the Best Foreign Language Film at the 90th Academy Awards, 11 years after Trier’s first feature film achieved the same accolade. Here’s hoping it goes one step further and makes the shortlist – it deserves to be seen by a wider audience and this will help ensure this happens.

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Halloween Quiz – Just for fun (2017 edition) – ANSWERS

Here are the answers to the Halloween horror quiz I published yesterday. Hope you enjoyed it!

1. Dustin, Will, Mike, Lucas and Eleven are the lead characters in which supernatural horror TV series?
– Stranger Things

2. Richard Bachman was a pseudonym of which famous horror fiction writer?
– Stephen King

3. Which two actors portrayed Fox Mulder and Dana Scully in the TV series The X-Files? (1/2 point each)
– David Duchovny and Gillian Anderson

4. Bill Skarsgard and Tim Curry are both actors associated with which horror film character?
– Pennywise the Clown

5. Army of Darkness is the third instalment in which horror film franchise?
– Evil Dead

6. What is the nickname given to the killer in Scream, prior to finding out his or her true identity?
– Ghostface

7. The 2017 remake of ‘It’ is now officially the highest-grossing supernatural horror film of all time. Which 1999 film did it displace from the top of the list?
– The Sixth Sense

8. Which Hungarian actor is credited with originating the role of Count Dracula in the 1931 film Dracula?
– Bela Lugosi

9. Which dark British comedy series will return this Christmas for three episodes, allowing fans to glimpse Royston Vasey for the first time in fifteen years?
– The League of Gentlemen

10. Which TV event was watched by the must viewers in the US – the first episode of Lost Season 1, or the last episode of Lost Season 6?
– The first episode of Season 1 received 18.65m viewers, whereas the Season 6 finale received just 13.57m viewers.

INITIALS

1. Alfred Hitchcock
2. John Landis
3. Wes Craven
4. Sam Raimi
5. Clive Barker
6. Ivan Reitman
7. George A Romero
8. Ridley Scott
9. Guillermo Del Torro
10. Steven Spielberg

POSTERS

1. It
2. What Lies Beneath
3. Psycho
4. The Omen
5. Poltergeist
6. The Fog
7. Get Out
8. Frankenstein
9. The Amityville Horror
10. Dial M for Murder

Halloween Quiz – Just for fun (2017 edition)

QUIZ QUESTIONS

1. Dustin, Will, Mike, Lucas and Eleven are the lead characters in which supernatural horror TV series?

2. Richard Bachman was a pseudonym of which famous horror fiction writer?

3. Which two actors portrayed Fox Mulder and Dana Scully in the TV series The X-Files? (1/2 point each)

4. Bill Skarsgard and Tim Curry are both actors associated with which horror film character?

5. Army of Darkness is the third instalment in which horror film franchise?

6. What is the nickname given to the killer in Scream, prior to finding out his or her true identity?

7. The 2017 remake of ‘It’ is now officially the highest-grossing supernatural horror film of all time. Which 1999 film did it displace from the top of the list?

8. Which Hungarian actor is credited with originating the role of Count Dracula in the 1931 film Dracula?

9. Which dark British comedy series will return this Christmas for three episodes, allowing fans to glimpse Royston Vasey for the first time in fifteen years?

10. Which TV event was watched by the must viewers in the US – the first episode of Lost Season 1, or the last episode of Lost Season 6?

I’ll publish the answers on 31st!

UPDATE – ANSWERS HERE

If you need more, check out last year’s quiz!

Film review – The Cured (David Freyne, 2017)

What happens to the zombies after the disease has been contaminated and cured? This is a question many zombie-horror film fans have thought about, but that is seldom explored in cinema. There’s good reason too – an axe-wielding hero chopping off a zombie’s head is a much easier sell than someone dealing with social exclusion and depression following an almost-apocalypse.

Writer/director David Freyne’s feature debut dares to explore those themes, with considerable success.

The film is set in a ravished, desolate Dublin, in the aftermath of a zombie plague. Scientists have found a cure for the maze virus, but now the living and the former undead are finding the memories of the effects of the virus hard to handle. The cure is successful for 75% of the infected, though 25% remain immune and in secure isolation. Former zombie Senan (Sam Keeley) is released from quarantine and taken in by his American sister-in-law Abbie (Ellen Page). The film focuses on the reintegration into society of Senan and Conor (Tom Vaughan-Lawlor), a friend Senan has made during the quarantine period.

The film is an excellent piece of social commentary. It deals with the manner in which modern society lives in fear. It’s something that has always been prominent in humanity, although it seems especially prescient that it debuts in the same year that Donald Trump began his presidency of the USA. The cured are humans living with the horrors of the past, but are treated as lesser beings due to the fear from those who were lucky enough to avoid being infected. Fear is driven by a swirl or rumours, mistruths and a media willing to maintain the confusion and feed the fear. At its best moments it’s a thoroughly thought-provoking piece of drama.

Freyne does his best to maintain the suspense with a smattering of jump-scares, primarily in the form of flashbacks. I felt these were unnecessary but were clearly there to serve a purpose. This is a horror film and for all its successes as a sociopolitical piece, the threat of the maze virus eventually becomes the driving force for the film. The horror credentials of the filmmakers are truly opened up at the point the film finally hits pace, leading to a frenetic and pulsating finale.

thecuredmovie

The central trio of actors all deliver great performances, but it is Ellen Page who has the most complex and thus most fruitful role. Abbie is a mother fearing for her son’s life and a woman mourning the loss of her husband. The complexities unravel as we go on the emotional journey with her and Page is a fantastic actor to take us on it. You can feel that she is giving it 100%, fully committing to a role and getting every drop of emotion out of the character. It’s the sort of performance that other actors love to feed off, and in the one-on-one scenes with Sam Keeley you can feel them both hitting their emotional peaks to devastating effect.

Tom Vaughan-Lawlor delivers an unsettling turn as Conor, a former politician attempting to be accepted by society but struggling to come to terms with his newly-assigned job as a janitor. He puts in the groundwork in the early portions of the film to allow himself to deliver a brutal final act performance.

The big risk with this film is that it feels like it’s trying to be a horror film and a drama film at the same time. Fans of horror films hoping for an out-and-out zombie carnival may be bored before the action takes flight. Those looking for a more subtle take on the genre may feel cheated by the ending. That said, those invested in the emotional journey of the characters should find a genuinely refreshing take on the theme and will be rewarded by a superb feature film debut from a very promising director.

Film review – Little Evil (Eli Craig, 2017)

If the thought of a horror-comedy fills you with dread, if not for the scary monsters then more for the fact that they usually fall short of whatever they’re trying to achieve, then fear not. Little Evil may not truly be a great horror film, nor is it a hilarious comedy, but that doesn’t mean it’s a bad film. For those wanting something lighthearted this Halloween there are much worse ways to spend 95 minutes.

Adam Scott stars as Gary, a real estate worker who has married Samantha (Evangeline Lilly), who comes with baggage in the form of her son Lucas (Owen Atlas), who Gary suspects may be the Antichrist. As he unravels the truth behind his new stepson, he is forced to form unlikely bonds in a race against time to save his family and the world.

There are supporting roles from the brilliant Bridgett Everett, Donald Faison, Chris D’Elia, Kyle Bornheimer and a surprising cameo by Sally Field, though this is less surprising when you learn that director Eli Craig is her son. It’s an ensemble cast that are able to provide plenty of humour to keep the wagon rolling without ever feeling like it stutters.

littleevilscreenshot

The film is peppered with nods to horror greats, presumably so that fans of the genre will giddily point at the screen and say “Oh, that’s the clown from Poltergeist!” at their less-versed friends. Of course, the more likely reaction is a roll of the eyes and silence, but the references are done in good faith. Sure, giving the child a 6th birthday on 6th June is fairly obvious, but not all comedy has to be subtle to be successful.

There is a worry that the film lacks any memorable gags and also fails to produce any striking horror set-pieces, though the movement of the buried-alive scene to the start of the film provides an impactful opening.

Adam Scott is a great leading man here, producing a relatable everyman who wants to make things work despite obvious signs that something is awry. There’s an art to his delivery of disbelief that only he seems to notice that Lucas is hiding something. It’s good to see him in a more prominent role than he is usually given.

Eli Craig has produced a fine follow up to his breakthrough film Tucker and Dale vs Evil. It has found a suitable home on the VOD service Netflix, which reduces the risk of it being a flop at cinemas and will undoubtedly increase viewership in the October double-header of Friday 13th and Halloween. It is notable, however, that it has quickly vanished from the front page of the service, making foot-fall traffic a little less likely.

Incidentally, Tucker and Dale vs Evil is also available on Netflix. If you’ve seen neither, Little Evil should be the one you approach second.

Mayhem Film Festival – Preview

I’ll be heading down to the Mayhem Film Festival in Nottingham tonight to catch the first night of action.

First up will be The Duke St. Workshop feat. Laurence R. Harvey. Presented in conjunction with Kinoclubb, the performance will feature an electronic live score accompanying Harvey (star of The Human Centipede 2) as he reads two H. P. lovecraft short stories: ‘From Beyond’ and ‘The Hound’.

Next is the film ‘Raw‘, which received its UK premiere at the BFI London Film Festival last week to rave reviews.

Finally, the UK premiere of Indonesian film ‘Headshot‘ will round off the proceedings. 

UK Festival of Zombie Culture (Phoenix Cinema, Leicester, 14/11/2015)

I’m off to the UK Festival of Zombie Culture, an annual event held at Phoenix CInema and Cafebar in Leicester.

There are six films on offer today:

Maggie
Nightmare City
Darkest Day
Me and My Mates vs the Zombie Apocalypse
Cooties
A Mystery Sixth Film

There’s also a ton of special guests, book signings, talks and The Arcade of the Dead to check out. It’s going to be a great day. I’ll report back later with how it went.