A carriage rocks slowly over a modern train line. An emergency service desk responds to the fears and panics of a city. A dilapidated old cinema screens images from forgotten masterpieces to an empty auditorium. Japanese archeolegists slowly and methodically uncover relics from the past.
And so it goes.
For almost two hours, Gianfranco Rosi’s carefully curated imagery builds up an astonishing portrait of modern Naples, a city that exists in the shadow of Mount Vesuvius and its terrifying presence.
Pompei: Below The Clouds is an undoubtedly beautiful documentary. The black and white cinematography serves as the perfect means to showcase the contrasting darks and lights within the images Rosi has captured. The soundscape builds on this, with low industrial hums and raw chatter giving even more gravitas to the proceedings.
There is no singular narrative here. The multiple threads sit alongside each other, serving to create something much more than the sum of their parts. Each one plays a role in bringing to life the city as it is now, steeped in its inescapable past. Think of it as a very distant cousin of Love Actually; an unexpectedly stylish family member you didn’t know existed until the Easter gathering, who you now find much more interesting than anyone and anything within eyesight.
Pompei: Below the Clouds is a film that needs your attention. Streaming on MUBI in the UK, if you are planning to watch at home then you need to find a full night of peace to fully allow yourself to be immersed. It’s deserving of this focus.
Cinema, etc. 