Short film review – Lou (Dave Mullins, 2017)

A sweet short film about a bully’s relationship with a lost and found box in a playground might just make your ticket to Cars 3 worth the entry fee.

Dave Mullins is a first time director but has been working with Disney since 1995 and Pixar since 2000, working in the animation department for the likes of Up, Monsters Inc., Ratatouille and Inside Out. It is clear that his attention to detail and love of a great story is at the heart of this film, which is brought to life wonderfully in a story that lasts only a few minutes.

The film opens with the lost and found box attracting the attention of the children in the playground of a school boy, encouraging them to play with the contents. However, the school bully J.J. begins teasing his class mates by taking away their toys and teasing them in the process. However, when the contents of the lost and found box come to life and start to turn the tables on him, he quickly learns a fast lesson in being nice to his peers, awakening memories he’s hidden inside himself that may be the real problem behind his poor behaviour.

It’s incredibly difficult to create something with such a large story and get the whole point across in a strictly limited timeframe, but Mullins and his team completely manage it. The short is, essentially, a silent film, but it has no difficulty in delivering a succinct but strong message.

The audience, which were mainly children, were completely captivated and gave a spontaneous round of applause at the end of the screening.

You can watch the opening 40 seconds below.

 

 

Glastonbury 2017 Day Five: Ed Sheeran, Goldfrapp, Barry Gibb, Chic

The fifth and final day at the festival had been and gone. I am a beaten man, but it was worth it.

My first port of call for music for the day was to catch Jamie Cullum on the Pyramid Stage as he did the lunchtime slot. Nobody can deny he gives all his energy into his performances, and he has plenty of it. He’s an extremely talented man, and performed a mixture of covers and originals with his tightly-rehearsed group. Amongst the covers was a jazzed-up Ed Sheeran number.

I moved in close to the front the see Laura Marling, who captivated the audience with her unique country-folk hybrid styles. It’s hard to deny being reminded of Joni Mitchell as she pairs a voice that borders on yodelling with the most intricate of guitar work. Her final song ‘Rambling Man’ was simply beautiful.

Barry Gibb was next on the main stage, with the traditional Sunday afternoon legends slot. I definitely “got into” the set, and there is plenty of evidence of me singing along on the live broadcast. Fair play to him for donning the golf jacket for the end of the set.

The disco bar was raised another level when Chic took to the stage. From a hit-packed set my absolute highlight was ‘Let’s Dance’, which blew my mind. Singing that at full volume with 100,000 other fans is a truly special moment.

I had to swim against the tide to get to Goldfrapp at the John Peel Stage. Clearly some bad planning going on as the Chic-then-Goldfrapp option was appealing to many and at the same time Killers-then-Biffy was equally appealing. Cue pandemonium on the walkway between the two. Goldfrapp’ set was slightly delayed but once they kicked off they were as glorious as I expected them to be. Singer Alison Goldfrapp commands the stage like no other and there wasn’t a still waist in the tent. Their new album ‘Silver Eye’ had a good run out, with ‘Systematic’ being my particular favourite.

I caught the end of the Biffy Clyro set, with Matt Carole cover ‘When We Collide’ going down a treat [1].

The main headliner, Ed Sheeran, was an act I wasn’t particularly fussed about seeing when the day started. In lieu of there being no other appealing headliners we stuck with him and I can heartily say it was the biggest positive surprise of the weekend. This is a 26-year-old man and he has gone out on the main stage and powered through a set full of hits to an eager crowd. ‘Castle on the Hill’, ‘A Team’, ‘Shape of You’ and ‘Thinking Out Loud’ are undoubtedly songs of the highest quality and nobody can deny he has an extremely powerful voice. A talented man, full of confidence and charisma. Absolute quality.

A quick look around Cineramageddon as the 1970 Mick Jagger film Performance began to play and we saw a close to our festival. I can safely say that nobody had the exact experience I had – everyone’s pathway through the biggest party in the world is completely unique and wonderful. It’s exhausting, it’s exhilarating and it’s something I never want to end.

Thank you Michael and Emily. Until next time.

[1] I’M TROLLING YOU DON’T WORRY!

Film review – My Life as a Courgette (Claude Barras, 2017)

My Life as a Courgette is a stop-motion animated film directed by first-time feature director Claude Barras. Short in length but big in heart, it has a way of drawing the viewer in and delivering a weighty emotional drama, despite its saccharine veneer.

It tells the story of the titular Courgette, a boy who is forced into an orphanage at the age of nine. He has come from a lonely and unhappy background but quickly learns to adapt and find his path with the six other children he lives with, notably the over-confident Simon and new girl Camille, whom he takes an immediate liking to.

This shot is one of the most memorable lingering shots of the film

The narrative is carried out from the perspective of the children, which gives rise to some elements of humour whilst giving the situation a melancholic edge. These are children all going through the same issue, as one child puts it they’ve “ran out of people to love them”.

The animation is truly beautiful and endearing, with a unique character design coupled with an a seamless stop-motion animation style. It is simply a joy to watch.

You’ll be hard-pressed to find a more emotionally-involving story in cinemas right now. This is one that needs to be seen.

My Life as a Courgette is out in cinemas now. You can watch a free ten minute preview below.

89th Academy Awards (2017) – Full list of winners

Best picture
WINNER: Moonlight
Arrival
Fences
Hacksaw Ridge
Hell or High Water
Hidden Figures
La La Land
Lion
Manchester by the Sea

Best director
WINNER: Damien Chazelle (La La Land)
Denis Villeneuve (Arrival)
Mel Gibson (Hacksaw Ridge)
Kenneth Lonergan (Manchester by the Sea)
Barry Jenkins (Moonlight)

Best original screenplay
WINNER: Manchester by the Sea
Hell or High Water
La La Land
The Lobster
20th Century Women

Best adapted screenplay
WINNER: Moonlight
Arrival
Fences
Hidden Figures
Lion

Best actor
WINNER: Casey Affleck (Manchester by the Sea)
Andrew Garfield (Hacksaw Ridge)
Ryan Gosling (La La Land)
Viggo Mortensen (Captain Fantastic)
Denzel Washington (Fences)

Best actress
WINNER: Emma Stone (La La Land)
Isabelle Huppert (Elle)
Ruth Negga (Loving)
Natalie Portman (Jackie)
Meryl Streep (Florence Foster Jenkins)

Best supporting actor
WINNER: Mahershala Ali (Moonlight)
Jeff Bridges (Hell or High Water)
Lucas Hedges (Manchester by the Sea)
Dev Patel (Lion)
Michael Shannon (Nocturnal Animals)

Best supporting actress
WINNER: Viola Davis (Fences)
Naomie Harris (Moonlight)
Nicole Kidman (Lion)
Octavia Spencer (Hidden Figures)
Michelle Williams (Manchester by the Sea)

Best documentary
WINNER: OJ: Made in America
Fire at Sea
I Am Not Your Negro
Life, Animated
13th

Best documentary short
WINNER: The White Helmets
4.1 Miles
Extremis
Joe’s Violin
Watani: My Homeland

Best animated feature
WINNER: Zootopia
Kubo and the Two Strings
Moana
My Life As a Zucchini
The Red Turtle

Best animated short
WINNER: Piper
Blind Vaysha
Borrowed Time
Pear Cider and Cigarettes
Pearl

Best foreign language film
WINNER: The Salesman
Land of Mine
A Man Called Ove
Tanna
Toni Erdmann

Best live-action short
WINNER: Sing
Ennemis Interieurs
La Femme et le TGV
Silent Nights
Timecode

Best score
WINNER: La La Land
Jackie
Lion
Moonlight
Passengers

Best song
WINNER: City of Stars (La La Land)
Audition (La La Land)
Can’t Stop the Feeling! (Trolls)
The Empty Chair (Jim: The James Foley Story)
How Far I’ll Go (Moana)

Best makeup and hairstyling
WINNER: Suicide Squad
A Man Called Ove
Star Trek Beyond

Best costume design
WINNER: Fantastic Beasts and Where to Find Them
Allied
Florence Foster Jenkins
Jackie
La La Land

Best sound editing
WINNER: Arrival
Deepwater Horizon
Hacksaw Ridge
La La Land
Sully

Best sound mixing
WINNER: Hacksaw Ridge
Arrival
La La Land
Rogue One: A Star Wars Story
13 Hours

Best production design
WINNER: La La Land
Arrival
Fantastic Beasts and Where to Find Them
Hail, Caesar!
Passengers

Best visual effects
WINNER: The Jungle Book
Deepwater Horizon
Doctor Strange
Kubo and the Two Strings
Rogue One: A Star Wars Story

Best film editing
WINNER: Hacksaw Ridge
Arrival
Hell or High Water
La La Land
Moonlight

Best cinematography
WINNER: La La Land
Arrival
Lion
Moonlight
Silence

Top films I’m most looking forward to in 2016-17

There are heaps of new films to get excited about over the next few months, as is always the case with awards season just around the corner. Here, in no particular order, are the films at the top of my “must see” list.

Let me know if you think I’ve missed anything!!

Guardians of the Galaxy 2

https://youtu.be/sMTntxvok1M

I’m really jaded with the Marvel Cinematic Universe. My interest piqued with The Avengers: Age of Ultron, which is the eleventh film in the franchise (depending on where you start counting). But then I started to stop caring, to the point of not even seeing Civil War or Doctor Strange at the cinemas. A sad turn of events but I just have no enthusiasm for them. Maybe it’s over-saturation, who knows?

When I clicked play on the trailer for the second Guardians film, I was equally lethargic. However, by the end of the 200-odd seconds I was completely hooked again and I truly cannot wait for May to get here so we can enjoy the next installment.

La La Land

https://youtu.be/cZAw8qxn0ZE

Yes, okay, this is a complete cheat because I’ve actually already seen this film. I isn’t going to be released until the middle of January in the UK but the film is so good it warrants me wanting to see it again as soon as possible. I’m convinced you’ll feel the same too.

You can read my review here.

Toni Erdmann

https://youtu.be/j0uwi5EPnpA

This film has been lighting up the festival circuit for almost a year now, and was warmly received on its European release earlier this year. It’s a German-Austrian release that was in competition at Cannes and has been selected as the German submission for Best Film in a Foreign Language at next year’s Academy Awards. Perhaps most tellingly, it topped Sight and Sound’s best films of 2016 list.

Fine recommendations indeed!

Manchester By The Sea

https://youtu.be/NxQmuJnrjxg

Casey Affleck and Michelle Williams star in this Manchester, Massachusetts-set film about a man returning to his hometown when his brother suffers a heart attack whilst at sea. It has been getting rave reviews and has already received a handful of Golden Globe nominations. It will be released in UK cinemas on 13th January.

Hacksaw Ridge

https://youtu.be/s2-1hz1juBI

This has been a surprise hit with the critics, despite being directed by Mel Gibson. Just when we all thought his career had gone completely down the pan (“What? I thought Beaver was great!?” I hear you say), he has revived his credentials with a pacifist combat medic in the US army. Even better, he rescued it from a 14-year development hell period. Hopefully people can watch it without thinking about Gibson’s personal life. He has undeniably had a stunning track record for directing excellent films.

Lego Batman

https://youtu.be/rGQUKzSDhrg

Clearly the best part of the excellent The Lego Movie, The Lego Batman Movie brings back Will Arnett for 90 minutes of pure purile fun in February 2017. I. Cannot. Wait.

Lion

https://youtu.be/-RNI9o06vqo

This one tells the true story of Saroo Brierley, who was separated from his family as a child and later adopted by an Australian couple and is attempting to find them again from broken memories. Dev Patel stars alongside Nicole Kidman and it could well be one of the most heartwarming films of the year.

Where is Nintendo’s Wii U console right now?

Last week, Nintendo excitedly announced plans of their next console. Temporarily named Nintendo NX, the console is due to hit the shelves in March 2017.

The news is a bittersweet result for owners of the Wii U, a group to which I am a member. On the one hand, Nintendo’s innovative consoles are always something that reinvigorates the gaming industry, in a time where Sony and Microsoft are happy to simply enhance the power of their machines and add different numbers to the console names and their biggest franchise. Not that there’s anything wrong with that – clearly the popularity of the PS4 shows they are doing something right, with some 40 millions units sold so far.

The Wii U, on the other hand, is generally considered to have been a failure. With only 12.8 millions units sold, it is clear it has performed far below expectations. Whilst this is more than the Xbox One, unfortunately the sales have all but stopped, sharply declining in Q4 of 2015-16.

It isn’t like Nintendo gave up on it years ago, despite it clearly being a losing battle. There have been some of the genuinely impressive Nintendo games released, including the unexpectedly user-friendly Mario Maker, arguably the best Mario Kart game of all time, arguably the best game on the console in Super Smash Bros., the most enjoyable multiplayer platformer I’ve ever played in Super Mario 3D World. 

How do you solve a problem like Zelda?

Unfortunately, there are some massive holes in the release cycle too. The biggest failure is the lack of 3rd party support. Other than Bayonetta 2, a console exclusive, there hasn’t been much to shout home about. Rayman Legends, originally announced as an exclusive, was delayed and then released as a multi-console game. 

This wasn’t the biggest let down of the promises made before release. One of the reasons it was able to stir up a lot of interest prior to its release was a tech demo of a new HD Legend of Zelda game, which first appeared at E3 in 2011. The console was release with no Zelda launch title, but two months later a release date was unveiled, positioning the game for a 2015 release. 

The year came and went with no game, leaving Wii U owners hanging on for more information. More recently, it was announced that the game would release simultaneously on both the Wii U and NX. Essentially, if a Wii U owner wants the best Zelda experience going, they will have to invest in the next console.

So where does that leave Wii U?

Unfortunately for Wii U owners, the situation is looking largely precarious. The console has had some brilliant games, but more recently the releases have slowed down and don’t really feel like new releases at all. Only surprise hit Xenoblade Chronicles X has shown itself to be a success with fans and critics as a new release. All the other big releases have either been terribly received (Amiibo Crossing and Mini Mario and Friends: amiibo Challenge) or simple re-hashes of older games (two Zelda HD remasters and a Star Fox remaster that was packaged as a brand new game). 


These are simple sticky plasters for a console that is beginning to show cracks, but looking ahead the future looks even more bleak. The multi-platform Lego Star Wars: The Force Awakens might ignite some interest for owners with only a Wii U at their disposal. The Mario and Sonic at the Olympics series has never really been popular. 

Tokyo Mirage Sessions #FE was popular in Japan when it was released last year, and the Western release is likely an experiment from Nintendo to test the water with Asia-specific releases. If it’s popular then the floodgates might open to allow more games that are currently Asia-exclusives to see releases in the Western markets.

It is likely that another Mario Party will be announced at E3, as they appear to be very easy to create and utilise the still-popular amiibo toys. Given the lethargy about the last release, it will be a simple cost analysis to see if they’ll make a profit on it. If so, it will be green-lit.


The one glimmer of hope comes in the form of Paper Mario: Colour Splash, set for a 2016 release. The exact details of this release are yet to be announced, but this one standalone release has an air of “I’ve started so I’ll finish” about it.

Why should Nintendo bother?

Unfortunately for Wii U owners, that’s not an easy question to answer. Realistically, the console cannot be revived and the small ownership isn’t worth targeting with a massive new game that might as well be delayed and released as a launch title for the NX. 

The only purpose of announcing a new and exciting game on the Wii U at this stage would be to thank the fans for their patience and keep them happy ahead of the release in a year’s time.

Whether this will happen remains to be seen.