Top films of 2017

Here’s a list of my top ten films of 2017.

20th Century Women

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“20th Century Woman avoids the usual cinematic tropes and instead explores how men are often defined by the women around them. With characters this believable and brilliant performances across the board, this is a film well worth seeing.”

Read the full review here.

Baby Driver

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“There aren’t many moments in cinema where you start to watch the opening scene and an uncontrollable giddy smile engulfs your face, such is the joy of what is unfolding on the screen. It needs to be a brilliant idea, executed to perfection and in a language that speaks to you. Baby Driver, Edgar Wright’s latest cinematic masterpiece, achieves just that. But the moment I knew it was a truly great film was when I realised the credits were rolling and my smile hadn’t left.”

Read the original review here

Dunkirk

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“Dunkirk is a film you have to see right now. It is the film you have to see right now.

Read the original review here

아가씨 / The Handmaiden

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“Park Chan-wook’s latest release is a twisting psychological thriller steeped in eroticism and oozing class that works its audience brilliantly. The only drawback was that I didn’t have time to see it a second time.”

Read the original review here

La La Land

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“Every once in a while you will go into a film knowing almost nothing about what you’re going to see and get absolutely blown away by a surprisingly perfect masterpiece. As you get further into your film-watching life, enjoying these moments becomes increasingly rare, so when a film like ‘La La Land’ comes along, you can’t help but be overcome by giddy excitement.”

Read the original review here

Lady Bird

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Lady Bird is, simply, a joy to watch. From start to finish the balance between humorous dialogue and well-paced plot progression is very fine indeed. The result puts it as a frontrunner for awards season next year.”

Read the original review here

Logan

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“A wisely-timed and fitting ending to the franchise and Jackman’s input into the character. It’s hard to believe it but this is the tenth time we’ve seen the character – seven X-Men films have now been made, along with three Wolverine-focussed standalone films. It seems impossible to think anyone will fill the role, meaning this could be the last time we see the character for many years, possibly ever. It could well be the best superhero/mutant-hero film ever made.”

Read the original review here

Okja

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“Given so many people have Netflix and can watch this film at no extra cost, it’s a no-brainer to seek it out and watch it. It might be the start of a new era of high quality original cinema heading first to home streaming platforms. Given the state of the year-to-date box office, it’s a movement everyone should be supporting.”

Read the original review here

レッドタートル ある島の物語 / The Red Turtle

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“A genuine triumph. For anyone with a passing interest in the future of the planet, beautiful animation or engrossing stories, this is a must-see.”

Read the original review here

Thelma

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“The culmination of the film hits like a crescendo, and Trier plays the audience perfectly with a balanced build up to the final pay-off.”

Read the original review here

Film review – Logan (James Mangold, 2017)

THIS ARTICLE IS FULL OF SPOILERS

Hugh Jackman is, in the superhero film world, a living legend. There has never been a single actor or actress that has achieved relentless success across so many different films in this genre, making a character his own and developing it into one of the big guns instead of just part of a team. Like the character Wolverine, the actor behind him seems like he’ll play the part forever.

And yet we come to Logan, a wisely-timed and fitting ending to the franchise and Jackman’s input into the character. It’s hard to believe it but this is the tenth time we’ve seen the character – seven X-Men films have now been made, along with three Wolverine-focussed standalone films. It seems impossible to think anyone will fill the role, meaning this could be the last time we see the character for many years, possibly ever.

It could well be the best superhero/mutant-hero film ever made.

Set in the world 2029, the film finds Logan worlds apart from his former self. Hiding out in a disused smelting plant in New Mexico, he is working as a chauffeur whilst hustling for prescription drugs for Professor X (Patrick Stewart), whom he lives with alongside Caliban (a surprisingly sincere Stephen Merchant). He is tracked down by a mysterious woman named Gabriella (Elizabeth Rodriguez) who is trying to get him to take a young mutant girl named Laura (the brilliant Dafne Keen) to specific co-ordinates in South Dakota before Transigen finds her to either kill her or take her back into their shady mutant development programme. The company, which we have previously glimpsed in X-Men: Apocalypse, is headed up by Zander Rice (Richard E. Grant), whilst they are hotly pursued by head of security and leader of the Reavers Donald Pierce (Boyd Holbrook).

Jackman reportedly took a pay cut to ensure this film received an R-Rating in USA. The result is certainly the most brutal cinematic portrayal of Wolverine yet, with no holding back on any of the gruesome details. It is certainly not a kids’ film. Jackman looks battle-worn from the start, the reasoning given that the adamantium is now poisoning his body and losing its regenerative abilities. His best cure is to drink alcohol, which may mask the pain but won’t cover the endless scars across his body.

The perfect muse for Jackman’s final turn as Logan is Patrick Stewart, reprising one last time his Professor X character. Now in the midst of a horrific battle with dementia, he struggles to keep control of his telepathic abilities. What is really interesting here is that it is a study of people at the end of their life who are losing their usefulness to society. Okay, this is shown in the most extreme manners when someone has superpowers, but the poignancy is still there for everyone to see.

To add extra emotional weight to the film, the young girl is revealed to be the kind-of-daughter of Wolverine, in that she shares some of his genetic make-up. In the greater comic book storylines she is X-23, who first appeared in 2003. Whilst not strictly his daughter, this is a clever plot device as it means the two characters are immediately drawn to one another, despite their tendency to mistrust those around them.

It may be masquerading as a film about mutants but this is so much more – a character-driven drama about old age and retirement.

Inevitably, the ending is upsetting, as we see our titular hero sacrifice himself to ensure the safe passage of his daughter. The final scene, especially the final shot, is absolutely perfect.

A fitting end to one of the greatest film characters of our time.