Yorke and Anderson’s
Long-form music video
Out now on Netflix.
Yorke and Anderson’s
Yorke and Anderson’s
Long-form music video
Out now on Netflix.
I am battered, exhausted, grotty, but yet still absolutely on top of the world that I was lucky enough to be at Glastonbury Festival 2017.
For anyone attending in their 30s, especially those in a stable relationship, there comes a time when going to these festivals with your friends becomes an increasingly reflective time. Specifically, there is an impending thought that this could well have been my last attendance for a while. The festival won’t be held next year, whilst there is a rumour circulating that the subsequent one will be held away from the site. That takes us to 2020 before the next one. Who knows where I will be by then, and who knows where my friends will be too.
As a result, I was determined to make the most out of it and pack as much in as possible whilst not destroying my body.
I wrote about each of the days in posts at the end of each day, which can be found below:
Day One – Arrival, Pitching, Fireworks Sleeping
Day Two – Prince Achmed, Quiz, Napalm Death, Everything Everything
Day Three – The Pretenders, Glass Animals, Elbow, Radiohead
Day Four – Thundercat, Jeremy Corbyn, Foo Fighters, The National
Day Five – Ed Sheeran, Goldfrapp, Barry Gibb, Chic
I also posted short reviews of three acts I enjoyed that coincided with a bit of time to make notes:
Other highlights included a trip around the circus and theatre field (who knew man could juggle five ping pong balls without using hands or feet?), a Pilton Palais for some cinematic refuge, some fantastic food, the world’s smallest nightclub and endless other bizarre surprises I saw whilst walking around.
The most important thing is to make sure you spend it with close friend and family. I had a great bunch with me this year and managed to meet up with some friends I’d lost touch with over the years. The magic of Glastonbury never ceases to amaze me.
A day that had promised sunshine turned out to be disappointingly overcast, leaving the Hot to be created by the acts on stage. Wow, that was a corny start to a blog. Still, we proceed.
The Pretenders supplied a hit-filled set in the late morning opening slot on the Other Stage. A disappointing endeavour to buy breakfast at a stand with a good view from the queue led to a lorry blocking us off from the action for three songs, then the stall running out of eggs just before we ordered. Guys, this is relevant info!Catching almost none of Paul Carrack’s set followed by almost none of the Hot 8 Brass Band’s set reminded us that you can’t get between stages easily. I’m sure both sets were great but we saw neither.
A chance stumbling onto the A Little More Sensation stage in the Circus Field meant we were able to catch the absolutely brilliant Fraser Hooper. It was a silent comedy special with plenty of audience participation, featured a duck, a boxing match and some cracking sound effects. He transfixed a potentially transient audience and was a healthy reminder that there’s plenty going on around the site away from the listed main stages.
There was a genius moment we’re a band of performance artists dressed as seagulls ambushed a fish finger stand. Classic.
First Aid Kit lit up the main stage as a crowd full of people said “Oh I know this one!” ten seconds into each song. Clearly a band I need to check it more in the aftermath of the festival.
We sadly gave up on Kris Kristofferson after about six songs. It was a real struggle to engage and there were clearly some sound issues that may well have been the performer rather than the sound engineer. Glass Animals were a far better choice!
Watching Mark Lanegan and Angel Olson from the hill on The Park was a great way to relax before the worst kept secret act of the day in the form of Elbow. A great set by a great band, my only reservation is that they seem to have forgotten everything they released prior to The Seldom Seen Kid. If they just did one song from the vastly superior Cast of Thousands I’d be so much happier.
And so it was time for the day’s big headliners, Radiohead. They pulled out a cracking set and I talk in much greater detail here, but in summary it was the standout set of the day for me and one I’ll remember for a long time.
The Trojans took on the Avalon Cafe at midnight and that saw out the night for me. Another big day of music is due tomorrow and I can hardly wait.
Exit Music (for a Film)
Everything in Its Right Place
You and Whose Army?
Street Spirit (Fade Out)
2 + 2 = 5
Fake Plastic Trees
“Bring down the government, they don’t speak for us.” As the lyrics to one of Radiohead’s most commercially famous songs – ‘No Surprises’ – the crowd let out a ginormous cheer. Any doubt that one of Britain’s most critically-celebrated bands had failed to engage the audience were quashed at that moment. It seemed to inflate lead singer Thom Yorke’s confidence. At the end of the song he said, simply, “See you later, Theresa. Just shut the door on your way out.”
A huge laugh from the immeasurably-sized crowd was followed by a louder cheer. Yorke clearly knew his audience and knew a left-wing statement was a safe bet.
But the setlist was anything but a safe bet.
Confidently appearing on stage to the piano theme from ‘Daydreaming’, they launched into a set made primarily of OK Computer album tracks and singles lifted from their more recent releases.
It was reassuring to see how many people were able to sing along to the likes of ‘Bloom’, ‘Weird Fishes’ and ‘You and Whose Army?”.
It was only when they launched into ‘Street Spirit (Fade Out)’ did they start to mine what would be considered their more mainstream songs, and the patient crowd were rewarded an eight-song, two-part encore that featured a handful of crowd-pleasers. Or, the most crowd-pleasing Radiohead have ever done. ‘Fake Plastic Trees’, a blasting ‘Paranoid Android’ and an extra crunchy ‘Creep’ ensured the set would live on in memory as one that walked the line between the awkwardly obscure and pleasingly familiar.
It was a great snapshot of one of the greatest bands to grace our planet, and the set is up there with the best, for this crowd member at least.
I’ve arrived at Glastonbury for another year of fun in the sun. The weather is absolutely scorching and the beers I’ve brought with me are still, just about, cold.
Much of my anticipation of the festival has been around two of the headliners: The Foo Fighters and Radiohead. I’m a huge fan of both, with the two of them being in heavy rotation when I was doing my GCSEs and A Levels. It sounds corny to reply with two of the headliners when asked about who I’m most excited about, but it’s an honest answer. They’ve simply been there for me for two decades.
Wednesday is usually about exploring and getting used to the site. A few things feel like they’ve moved around but to be honest I’m not 100% confident on what is where anymore.
The highlight for me was catching a gigantic fireworks display up in the Stone Circle near The Park. It was extensive and the crowd appreciated it. My only draw back was observing that one of the displays was exceptionally close to my camp site and seemed to be the most unwieldy. Fortunately my tent was still there when I got back!
For many, watching the summer soltace sunset at Glastonbury is a rite of passage. For me, I remember people cheering. Unfortunately, I was asleep at the time. Evidently the three-mile walk from car to campsite had taken it out of me.
A perfect start to the festival, though hopefully I’ll last longer tomorrow!
Radiohead are set to take Glastonbury’s Pyramid Stage by storm this weekend, so I thought it would be a great time to give a chronological run through of their greatest music videos. I was able to choose my very personally-opinionated list from an eclectic output, which has never felt like it was conforming to anything like the norm.
Take a look and feel free to challenge me if you think I’ve missed anything.
1. Just (Jamie Thraves, 1995)
Jamie Thraves’s breakthrough announced his work to the world and made him one of the most sought-after music video directors on the planet. He has since contributed some brilliant short films to bands (Coldplay’s ‘The Scientist’ and Sam Smith’s ‘Stay With Me’ are amongst his more popular work), though his feature film career remains highly underrated.
It’s worth watching before anyone tells you anything about it. Then you can Google “What does the guy say at the end of Just by Radiohead?”. Then in 22 years’ time you’ll be where I am now.
2. Street Spirit (Jonathan Glazer, 1996)
Jonathan Glazer’s visually-stunning black and white video for ‘Street Spirit (Fade Out)’ was a masterpiece at the time and it has certainly stood the test of time. The slow frame rate mixed with regular or fast-forward shots creates a really effective result, and if the overall impression doesn’t do it for you then you can at least wonder how it was achieved technically without the use of computer imagery.
3. Paranoid Android (Magnus Carlsson, 1997)
Paranoid Android is an epic saga of a tune that fused three separate crunching progressive rock song and juxtaposed them with some darkly humorous lyrics. It’s essentially Radiohead doing a song like Bohemian Rhapsody but doing everything they can to not do a song like Bohemian Rhapsody.
The video that accompanies it, created by Swedish animator Magnus Carlsson, is just as bizarre. The band were fans of his animated series Robin, and asked him to create a video featuring the character. The dark playfulness of the songs lyrics and composition marries perfectly with the visuals, which could easily trick a young person into thinking it was a regular cartoon. They’d soon see a man with a head foetus poking out of his belly, or a bare-breasted mermaid swimming around.
4. No Surprises (Grant Gee, 1998)
No discussion of Radiohead videos would be complete without mention of the visually iconic ‘No Surprises’ music video. Thom Yorke’s head is slowly submerged in a tank that fills from the bottom, with some subtle slow-motion work causing it to feel even longer to increase the feeling of tension and suffocation. I guarantee the first time everyone saw it they all took a breath as the water was eventually released. Simple but very effective.
Gee was also involved with Radiohead during the infamous OK Computer tour, which almost led to the band breaking up. It was covered in the engrossing feature-length documentary ‘Meeting People is Easy’, released on VHS in 1998.
5. Knives Out (Michel Gondry, 2002)
Michel Gondry’s one-shot video for ‘Knives Out’ feels like a thematic predecessor to ‘Eternal Sunshine of the Spotless Mind’, Gondry’s 2004 masterpiece that must surely be one of the best films of the decade. Thom Yorke is in a hospital bed next to his partner, played by Emma de Caunes (who later appeared in Gondry’s The Science of Sleep). She’s undergoing some operations but her body is represented by an oversized version of the Operation board game. Thom looks on in a nightmarish panic, underpinned by a feeling of repetition and inability to escape.
The marrying of two of the most creative artists in their respective mediums was inevitably going to lead to greatness and ‘Knives Out’ doesn’t disappoint.
6. There There (Chris Hopewell, 2003)
The first of two Chris Hopewell videos on this list. There There is a stop-motion animated video that features Thom Yorke venturing into a dark forest and encountering some small mice having a dinner party. He steals some magical shoes, gets attacked by some crowd and turns into a tree.
7. Nude (Adam Buxton and Garth Jennings, 2008)
British comedian/podcaster/beardy cyclist Adam Buxton joined forces with music video and film director Garth Jennings to produce a beautiful and simplistic music video for Radiohead’s ‘Nude’ single.
Each member of the band performs against a black background, filmed in slow motion as the space they inhabit fills up with white feathers.
If it sounds simple, it’s because it is. And it’s wonderful.
8. House of Cards (James Frost, 2008)
No cameras were used in the making of James Frost’s mesmerising video for ‘House of Cards‘. Instead, 3D plotting devices were used to collect, collate and interpret data on the positional relationship between objects.
It’s hard to visualise and harder to forget once you’ve seen it.
9. Lotus Flower (Garth Jennings, 2010)
Because who doesnt want to see a black and white Thom Yorke dancing around like a maniac for five minutes and eight seconds?
10. Burn the Witch (Chris Hopewell, 2016)
One of the best music videos I’ve seen recently was for ‘A Moon Shaped Pool‘ lead single ‘Burn the Witch’. It is, specifically, Trumpton does The Wicker Man. It was created by Chris Hopewell of ‘There There’ fame. Another dark video that belies the cutesy animated façade.
Radiohead have this week unleashed two brand new music videos for the lead singles from their new album, which will be released on Sunday night at 8pm GMT.
The first single arrived on Tuesday afternoon and was immediately available to download. Titled “Burn The Witch”, it carries with it an urgent orchestral riff that crescendos into an electronic beast of a tune. Whilst this was hailed as a new direction by their manager Brian Message, the classical music influence is hardly surprising – guitarist Johnny Greenwood has been moonlighting as composer-in-residence for the BBC Concert Orchestra for some years and has also tried his hand at several film soundtracks, collaborating on the last three Paul Thomas Anderson films (There Will Be Blood, The Master and Inherent Vice).
You can watch the video below. It’s a bizarre cross between 190s stop-motion children’s cartoon Trumpton and 1973 horror film The Wicker Man, and it’s utterly brilliant.
The second video, released earlier today, is for a track called “Daydreaming”. This is a piano-driven track full of ambience and subtlety that would be at home on Kid A. The video has a cinematic quality to it, following singer Thom Yorke through various residencies and buildings before seeing him climb a snow-covered hill, into a hollow and falling asleep next to a fire as the tune collapses around itself.
You can watch “Daydreaming” here:
What do these songs say about the album? Well, they don’t sound like a drastic departure away from the sorts of sounds we’ve heard Radiohead produce before. Certainly they haven’t stood still, but both Kid A and Amnesiac are brought to mind with the material heard thus far, with heavy influences from Greenwood’s mature concert orchestra brain.
If they wanted to whet our appetite, they’ve certainly succeeded.