Why Deborah Davis’s The Favourite should give courage to all aspiring writers

The plot of The Favourite doesn’t sound like a laugh-a-minute comedy. Just look at it:

In 18th century England, the close relationship between Queen Anne (Olivia Colman) and Sarah Churchill (Rachel Weisz) is threatened by the arrival of Sarah’s cousin, Abigail Hill (Emma Stone). The resulting bitter rivalry between the two cousins impacts their lives and their relationship to the Queen, who is manipulated by both in the midst of a turbulent time in England’s political landscape.

It may not sound promising, but it doesn’t take long to realise that this isn’t your standard period drama. It’s a sharp script and a twisting plot, delivered to perfection by the three lead women. That this is Deborah Davis’s first ever script makes it even more remarkable.

Davis gave some insight into the writing process when she spoke to Awards Daily in November 2018. “I wrote the first draft in 1998 and I had no experience in scriptwriting. I took myself to night school to learn. I was accepted into the University of East Anglia to do a scriptwriting course and I was helped and influenced by my tutor who was really interested in The Balance of Power as it was then called. [Ceci Dempsey (of Scarlett Films) has] never ever wavered in her support and passion for this project.”

The phenomenal journey should be an inspiration to all aspiring writers around the world. Sure, it’s a twenty year process in this case, but Davis believed in her own capabilities and surrounded herself with others who were equally supportive of her work.

The success of the film is unquestionable. It continues to bring in audiences across the globe, building momentum through word of mouth and positive press responses. Now a Golden Globe winner (Olivia Colman for Best Actress), it has also been nominated for Best Original Screenplay at the BAFTAs. The team will undoubtedly be hoping for yet more success at the Academy Awards when the nominations are announced next week.

Of course, it isn’t all Davis’s work. Yorgos Lanthimos is well known for quirky comedy dramas that find hard to stay away from the surreal, which certainly shines through in a bizarre dance sequence that couldn’t possibly have been scripted. Equally, Colman’s hysterics when a young doorman may or may not have looked at her is played to perfection by both actors. That it’s all set in a traditional English country house (Hatfield House in Hertfordshire) with the expected pompous outfits just adds to the unnerving effect.

But it’s all hung on this brilliant script that mixes the most bizarre of comedies with a power struggle akin to a game of chess. Indeed, the women’s costumes, created especially for the film by Sandy Powell, were designed exclusively in blacks and whites to emanate the pieces of a chess board.

One of the most effective results of the writing is the subtle way the audience is drawn in to care for Abigail (Stone). We go on an emotional journey with her, seeing her at rock bottom as she rises through the ranks within the palace. The moment she gains power by marrying Samuel Masham (Joe Alwyn), her character completely changes and we realise that she’s as horrible as we feared. It’s a tough pill to swallow for an audience who think they’ve found a character to root for, but the best film-makers know just when to pull the rug from under the feet of its viewers. Emma Stone said of the script: “It feels amazing when the script is right and the director is right and you are like, ‘Now I can go and have fun and trust the process.'” And it shows. All the actors on screen look like they’re completely at ease with what they’re doing and saying.

It’s just a great piece of cinema.

For anyone out there sat on the next homemade cinematic masterpiece script, The Favourite is the perfect catalyst for you to get it finished and get it out there.

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The 7:39 (John Alexander, 2014)

Sometimes you watch a show on TV with no prior knowledge of the content, with no preconception of what is coming. Usually when you do this, you’re left disappointed and quickly switch over or find yourself checking your phone at decreasing intervals. Sometimes, if you’re lucky, you’ll find a gem, a diamond in the rough. So it was with the gripping BBC two-part romantic drama The 7:39.

Starring David Morrissey (The Walking Dead) and Sheradin Smith (Legally Blonde), with supporting roles from Sean Maguire (Eastenders) and Olivia Colman (Tyrannosaur), the story tells the chance development of an affair between Carl (Morrissey) and Sally (Smith), who catch the same eponymous commuter train. Both unknowingly in a rut in their life at home and at work, they quickly find an unlikely spark between each other and grow closer through the increasingly precious time they spend together en route to work.

Carl has a lot more to lose. He is married with two teenage children and has an exceptionally supportive wife (Colman), but yet he is the driving course behind the forbidden relationship. Sally is engaged to her overprotective fiancé Ryan – brilliantly portrayed by Maguire – who is hellbent on arranging the perfect wedding and seemingly attempting to smother every aspect of Sally’s life, though only out of love and devotion.

It is a sign of excellent writing by David Nicholls (One Day, Starter For 10), matched by perfect performances by the highly talented cast, that we quickly find ourselves rooting for Carl and Sally. Seeing them play out this despicable action, knowing they’re on a collision course to devastate everything they know and love, I was surprised that when the chance arose I was on the edge of my seat willing them on to go for it. It is a deed we hope we would never be subjected to by a loved on – or even worse commit ourselves – yet the reasoning is portrayed fully without ever needing to be spelled out. Of course, the subject matter has divided audiences, but that is the sign of a powerful work of art.

It is wonderful that there is such high quality drama being produced in the UK and that there is an outlet for the all-British cast to excel on prime-time television. It could easily have had a successful cinematic release and wouldn’t have looked out of place on the big screen. Hopefully it is the first of many more of its ilk.

The 7:39 is available to watch for free on iPlayer and Sky On Demand until 14th January 2014 and is released on DVD on 10th February 2014.

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