The plot of The Favourite doesn’t sound like a laugh-a-minute comedy. Just look at it:
In 18th century England, the close relationship between Queen Anne (Olivia Colman) and Sarah Churchill (Rachel Weisz) is threatened by the arrival of Sarah’s cousin, Abigail Hill (Emma Stone). The resulting bitter rivalry between the two cousins impacts their lives and their relationship to the Queen, who is manipulated by both in the midst of a turbulent time in England’s political landscape.
It may not sound promising, but it doesn’t take long to realise that this isn’t your standard period drama. It’s a sharp script and a twisting plot, delivered to perfection by the three lead women. That this is Deborah Davis’s first ever script makes it even more remarkable.
Davis gave some insight into the writing process when she spoke to Awards Daily in November 2018. “I wrote the first draft in 1998 and I had no experience in scriptwriting. I took myself to night school to learn. I was accepted into the University of East Anglia to do a scriptwriting course and I was helped and influenced by my tutor who was really interested in The Balance of Power as it was then called. [Ceci Dempsey (of Scarlett Films) has] never ever wavered in her support and passion for this project.”
The phenomenal journey should be an inspiration to all aspiring writers around the world. Sure, it’s a twenty year process in this case, but Davis believed in her own capabilities and surrounded herself with others who were equally supportive of her work.
The success of the film is unquestionable. It continues to bring in audiences across the globe, building momentum through word of mouth and positive press responses. Now a Golden Globe winner (Olivia Colman for Best Actress), it has also been nominated for Best Original Screenplay at the BAFTAs. The team will undoubtedly be hoping for yet more success at the Academy Awards when the nominations are announced next week.
Of course, it isn’t all Davis’s work. Yorgos Lanthimos is well known for quirky comedy dramas that find hard to stay away from the surreal, which certainly shines through in a bizarre dance sequence that couldn’t possibly have been scripted. Equally, Colman’s hysterics when a young doorman may or may not have looked at her is played to perfection by both actors. That it’s all set in a traditional English country house (Hatfield House in Hertfordshire) with the expected pompous outfits just adds to the unnerving effect.
But it’s all hung on this brilliant script that mixes the most bizarre of comedies with a power struggle akin to a game of chess. Indeed, the women’s costumes, created especially for the film by Sandy Powell, were designed exclusively in blacks and whites to emanate the pieces of a chess board.
One of the most effective results of the writing is the subtle way the audience is drawn in to care for Abigail (Stone). We go on an emotional journey with her, seeing her at rock bottom as she rises through the ranks within the palace. The moment she gains power by marrying Samuel Masham (Joe Alwyn), her character completely changes and we realise that she’s as horrible as we feared. It’s a tough pill to swallow for an audience who think they’ve found a character to root for, but the best film-makers know just when to pull the rug from under the feet of its viewers. Emma Stone said of the script: “It feels amazing when the script is right and the director is right and you are like, ‘Now I can go and have fun and trust the process.'” And it shows. All the actors on screen look like they’re completely at ease with what they’re doing and saying.
It’s just a great piece of cinema.
For anyone out there sat on the next homemade cinematic masterpiece script, The Favourite is the perfect catalyst for you to get it finished and get it out there.