Film review – Cars 3 (Brian Fee, 2017)

I always try to stay positive about a film I’ve seen. With that in mind, I can happily announce that Cars 3 is one of the top three films in the series.

The wayward plot that feels deeply familiar on many levels. It’s Rocky III on wheels, with the care and attention of The Karate Kid III. This does little to rescue a franchise that looked in danger of sinking since the poorly-regarded Cars 2.

Put simply, Cars 3 is defined by lacklustre character designs and a thinly veiled attempt to use a film as a means to sell merchandise and toys.

This time around, Lightning McQueen (the returning Owen Wilson) is struggling as an ageing racing car. An arrogant young car named Jackson Storm (Armie Hammer) has shown up and is utilising modern technology to achieve better performance from his specs, forcing cars based on the older technology into retirement. McQueen refuses to retire and pushes his car too much in the final race of the season, leading to a horrific crash that takes him months to recover from. Determined not to retire, McQueen takes on additional training at a new facility sponsored by Sterling (Nathan Fillion), though he seems to want McQueen to retire and turn him into a brand rather than let him keep racing. Regardless of this, he’s given a personal trainer called Cruz Ramirez (Cristela Alonzo) who he quickly strikes up a love-hate relationship with.

One of the tough sells for the film outside of North America is that McQueen is essentially a stock car racer. NASCAR is the second most popular sport on American televisions, but is largely unpopular in Europe and the UK. Indeed, the sport is ridiculed by many who see it as vastly inferior and less exciting than the likes of Formula One and MotoGP. Perhaps as a British film fan I am spoiled when I see stock car racing – maybe the subtleties of the skill involved are lost on me. But converting that into an exhilarating plot point in a film is an unenviable task and something I don’t think is achieved in Cars 3.

cars3screen.jpg

For all the disappointment associated with the story, the visuals are nothing short of stunning. There have been huge advancements in animation in the eleven years since the original’s release. The benefits are felt with the backdrops, which feel somehow much more life-like than it’s predecessors. Even the character design, which is hampered by the restrictive nature of bringing cars to life, feels more advanced; a clear sign they’ve learned from two predecessors.

At its heart, this film eventually ends up being a buddy movie. Whilst it takes a while to get there, it’s an important move to bring the film closer to the original movie. I didn’t like either of the first two instalments, but Cars 3 stands alongside the original as being more in line with the Pixar ethos. It is, as the investors would say, “on brand”. So, whilst the first-time director Brian Fee has taken no risks here and the outcome is something that probably won’t overly please anyone, but nor will it offend anyone.

A safe bet that will maintain the franchise and opens the door for further sequels. Bland, forgettable, but pleasant enough to keep its target audience happy.

Though I do think Cars 2 is a better film.

Duke Weaselton’s Officially Licensed Movies

Around eighty minutes into the magnificent Zootropolis, there’s a great moment where Lt. Judie Hops (Ginnifer Goodwin) and Nick Wilde (Jason Bateman) follow a lead to solve their case. They wind up at a dodgy DVD stand manned by Duke Weaselton, voiced by the ever-entertaining Alan Tudyk.

That character is in itself a riff on his character in Frozen, the Duke of Weselton, but the jokes don’t stop there. His dodgy DVDs are all parodies on recent Disney movies, clearly having a pop at the endless rip-offs that flood the market every time a new Disney film is released.

The films include Pig Hero 6 (in place of Big Hero 6), Wrangled (a take on Tangled) and Wreck-It Rhino (Wreck-It Ralph).

They even then pan onto a second pile of DVDs and Weaselton brags that he has films that haven’t even been released yet. Those include Meowana, which is a take on the then-yet-to-be-released Moana that replaces the lead character with a cat. Giraffic, the second in the pile, is a Giraffe-themed parody of the upcoming Gigantic, which is a Jack and the Beanstalk tale due for release in 2020. Finally, Floatzen 2 is Frozen but with a moose and two otters in the lead roles, with a review attached underneath that reads “The best film of the year starring a moose and two otters.”

Digging even further, there are more hidden in the row above those in the centre of the screen. Most notable is what appears to be a sequel to Giraffic – a similar cover to the first film but with the tagline “AN INSTANT SEQUEL”. There are also alternative covers for Meowana, Wreck-It Rhino and a mystery film in the top left corner of the first screen (as above), which doesn’t match up with any of the other films but could be a draft poster for something like Ralph Breaks The Internet or one of the other upcoming projects.

Zootropolis is full of weird Easter Eggs and it’s certainly worth checking out again to try to pick them all up.

Glastonbury announce Pilton Palais Cinema line-up!

Glastonbury has announced its line-up for the Pilton Palais Cinema at this year’s festival. The list is below or you can follow the link here for more info.

The area is always a highlight of every year at Glastonbury and is well worth checking out for a brief time, even if you only catch one film!

The whole thing is being curated by Tilda Swinton, returning for her second consecutive year. Her film Okja is lighting up Cannes right now and will no doubt be an interesting prospect for those in attendance.

My highlights are the two silent films: Metropolis and The Adventures of Prince Achmed. I’ve seen Metropolis several times on the big screen previously, but never with a live musical accompaniment. If you’ve never seen a silent film done this way then either of these are a must, though their favourable time slots will no doubt mean they will be popular choices.

Here are the full listings, in no particular order.

Wednesday
Sing
Guardians of the Galaxy Vol. 2
Beside Bowie: The Mick Ronson Story
Donnie Darko
Enter the Dragon

Thursday
The Adventures of Prince Achmed (with live score by The Guildhall Electronic Music Studio)
Robocop
Alien
Rogue One: A Star Wars Story
Frozen Sing-a-long
Monty Python and the Holy Grail
The Big Lebowski

Friday
Doctor Strange
Bunch of Kunst: A Film About Sleaford Mods (featuring guest appearance by the band)
Okja (UK Premiere)
Ghostbusters (1984)
Lupita: Castle in the Sky

Saturday
Metropolis (with live score by The Old Police House Collective)
The Rocky Horror Picture Show
Don’t Look Now
What About Bob
Bag of Rice
Gimme Danger

Sunday
Advanced Screening (TBC)
Paterson
Your Name
Rushmore
Hedwig

Kingdom of the Sun set for Blu-ray release

The moment has come for Disney fans! They will finally get a chance to see the lost animated film Kingdom of the Sun.

Originally set for release in 1999 and with a score of songs written by Sting, it was sadly axed after four years of production. It eventually was reworked and released in 2000 as The Emperor’s New Groove, which was well received on release and stood out as a highlight of a fairly mediocre period of the studio’s history. (My review can be found here).

The film has long been pined after by Disney fans and finally the studio has green lit a Blu-ray release date of 31st September for it.

Whilst the film isn’t a 100% finished production, it will be the entire film as far as it was completed. This means the full audio track is included, with the lead cast Eartha Kitt as the evil Yzma, Owen Wilson as the llama herder Pacha, Carla Gurgino as love interest Nina and David Spade as Emperor Manco. There’s no space for John Goldman and Kronk is also not featured. The lost songs by Sting are reinstated, including the tracks “Walk the Llama Llama”, “Snuff Out The Light” and the duet with Shawn Colvin “One Day She’ll Love Me”.

Excuse me? I can’t find my lines in this version.

Where animated sequences are incomplete, we will get either uncoloured hand-drawn sequences or storyboard images, although the latter of these will only account for “7% of why we’ll see”.

Even more interestingly, the double-disc release will features the infamous documentary titled The Sweatbox. Filmed by Sting’s wife Trudie Styler, the 95-minute film covers the entire production process, from initial concept to Sting writing and recording his music, and the infamous meeting where the Kingdom of the Sun is shut down and the reworking begins. This ha been available on various online platforms but never on home media and never in HD.

The entire list of features across the two discs are:

– The Kingdom of the Sun (unfinished but restored film)
– The Sweatbox – a 2002 documentary by Trudie Styler covering the production period and cancellation of the original project.
– Isolated audio tracks for the soundtrack with lyric videos for “One Day She’ll Love Me” and “Snuff Out The Light”.
– Introduction from directors Mark Dindall and Roger Allers.
– Kronk’s Not Groove – a short film reimagining sequel Kronk’s New Groove without Kronk existing.
– Concept art gallery, including designs for unused McDonald’s toys and other unreleased merchandise.
– All bonus features currently included on the Emperor’s New Groove Blu-ray/DVD release.

——————

Don’t you just wish this was a true story? The unfortunate reality is that this is an April Fools joke article.

However, like my joke article from last year for the Ewok Adventure Blu-ray release, I’m sure this will garner a lot of interest from fans around the world and will serve as evidence that something along these lines would be a great profit turner for Disney.

Film review – Saludos Amigos (Norman Ferguson, Wilfred Jackson, Jack Kinney, Hamilton Luske, Bill Roberts, 1942)

Saludos Amigos is a comporomise film. It’s a feature-length film, but only just; a mere 42 minutes and you’ll be done on this one. It’s a film that also only exists as a product of a good-will tour of Latin America, with Walt Disney acting as an ambassador for the USA to counter-act the popularity of the Nazi Party in certain countries when it was produced in the middle of World War Two. 

The film consists of four segments, all of which are a mixture between documentary films and short animated sequences. The animators, technicians and filmmakers were sent to countries such as Peru, Argentina, Bolivia and Brazil and observe what they saw, making sketches and jotting down any ideas they had. It is therefore a wonderful work that captures the beauty of the landscapes and cultures of 1940s Latin America, whilst also serving as a brilliant piece of political evidence when viewed some 75 years later.


Of the four segments, the standout is Aqualero  do Brasil, which introduces José Carioca – a well-dressed Brazilian green parrot who speaks fast and smokes a cigar. He befriends Donald Duck and shows him some cultural highlights of Rio de Janeiro, with a great sequence involving the samba.

José may have been a bit of a flash in the pan outside of Brazil but in his homeland he’s still as loved today as he ever has been, happily sitting alongside Donald and Mickey as the face of Disney.
It’s nothing that will wow modern audiences. It’s simply not as entertaining as the five animated features that proceeded it. It is, put simply, a quirk.

The Problem With Zavvi’s UK Disney Steelbooks

There is a huge problem brewing with Zavvi’s steelbook range in the UK.

When Zavvi initially launched them in 2014, there was much excitement from the steelbook community and Disney fans alike. Marrying two strong groups of collectors together was a financial goldmine for Zavvi and Disney. At £20 a pop and with each item having a limited run of around 4000, the revenue on the entire collection was considerable. £80,000 per release, over fifty releases… That’s potentially over £4m of revenue by the time the series was over.

Out rolled the big hitters. Aladdin, Beauty and the Beast and The Lion King from their 1990s renaissance period. Snow White, Sleeping Beauty and Cinderella from their classic princesses era. New releases for Frozen, Big Hero 6 and Wreck It Ralph sold out quickly as pre-orders.

They’d suckered everyone in and could hope for a continued interest as more were released. Or could they?

Suddenly they were into the realms of the unknown. Sure, Tangled will sell well, but what about the less popular releases? The Sword in the Stone? Brother Bear? What about Oliver & Co or Saludos Amigos?

They started on this path, but clearly something in the numbers gave them cold feet and by the time Treasure Planet was launched in February 2016, they decided no further vault releases would see the light of day. Instead, all that has been issued since then is the new release item Zootopia and a pre-order for Moana, due for release in April 2017.

To make matters worse, Zavvi have now taken to reissuing all the Disney films already available as standard steelbooks, but this time as lenticular steelbooks, which indicates that they aren’t planning any further standard versions. For those collecting the set and with 35 Disney steelbooks in their possession, that’s something of a kick in the teeth.

WHAT’S LEFT TO RELEASE?

The following Disney vault films are yet to see the light of day as steelbooks, though some aren’t even available as Blu-rays yet.

Saludos Amigos
Disney Classic #6
Originally released on August 24, 1942
Not currently available on Blu-ray in the UK

The Three Caballeros
Disney Classic #7
Originally released on December 21, 1944
Not currently available on Blu-ray in the UK

Make Mine Music
Disney Classic #8
Originally released on April 20, 1946
Not currently available on Blu-ray in the UK

Fun and Fancy Free
Disney Classic #9
Originally released on September 27, 1947
Currently available on Blu-ray in the UK

Melody Time
Disney Classic #10
Originally released on May 27, 1948
Not currently available on Blu-ray in the UK

The Adventures of Ichabod and Mr. Toad
Disney Classic #11
Originally released on October 5, 1949
Currently available on Blu-ray in the UK

The Many Adventures of Winnie the Pooh
Disney Classic #22
Originally released on March 11, 1977
Currently available on Blu-ray in the UK

The Black Cauldron
Disney Classic #25
Originally released on July 24, 1985
Currently available on Blu-ray in the UK

The Great Mouse Detective
Disney Classic #26
Originally release on July 2, 1986
Currently available on Blu-ray in the UK

Oliver & Company
Disney Classic #27
Originally released on November 18, 1988
Currently available on Blu-ray in the UK

The Rescuers Down Under
Disney Classic #29
Originally released on November 16, 1990
Currently available on Blu-ray in the UK

Dinosaur
Disney Classic #38
Originally relased on May 19, 2000
Currently available on Blu-ray in the UK

Atlantis: The Lost Empire
Disney Classic #41
June 15, 2001
Currently available on Blu-ray in the UK

Lilo & Stitch
Disney Classic #42
Originally relased on June 21, 2002
Currently available on Blu-ray in the UK

Home on the Range
Disney Classic #45
Originally relased on April 2, 2004
Currently available on Blu-ray in the UK

Chicken Little
Disney Classic #46
Originally relased on November 4, 2005
Currently available on Blu-ray in the UK

Meet the Robinsons
Disney Classic #47
Originally relased on March 30, 2007
Currently available on Blu-ray in the UK

Bolt
Disney Classic #48
Originally relased on November 28, 2008
Currently available on Blu-ray in the UK

Winnie the Pooh
Disney Classic #51
Originally released on July 15, 2011
Not currently available on Blu-ray in the UK, but is available in the US

IS THERE A SOLUTION?

Well, without the numbers to help guide us, it’s difficult to speculate on making a business decision that should be focused on a financial gain. No business runs for long on a loss, so we can’t expect them to issue something that loses money.

However, there should be a compromise. Those invested in the majority of the items so far are more than likely to want to complete their collection, so they’d need to estimate how many people make up that pot.

There are groups of films there that can be treated slightly differently. Classics #6-#11 (Saludos Amigos, The Three Cabaleros, Make Mine Music, Fun and Fancy Free, Melody Time and The Adventures of Ichabod and Mr. Toad) are obviously niche items, but someone interested in one of them would surely want to pick all of them up. One solution on that front is to group them all together as one or two boxsets, which helps people complete the series whilst reducing their risk on people buying just one or two of them and leaving the rest. Indeed, the total running time of the six films is around 6.5 hours, so they could be done over two discs.

Some of them are popular enough for a standalone release. Bolt, The Many Adventures of Winnie the Pooh, Oliver & Co. and The Rescuers would fall into that category.  Limiting the releases to 1,000 copies and making that explicit on the item description would tempt in some sales to collectors – anything extremely limited with a Disney logo on it is bound to ignite interest.

It doesn’t help matters when the faithful shoppers are getting bombarded with pre-order emails for steelbooks of the likes of Street Fighter, Flight of the Navigator and Short Circuit.

Perhaps the best solution is to launch the remainder as a subscription service, with one released every month over a two-year period.  This could be modelled on their ZBOX series, and they could throw in other items to sweeten the deal. It may not be perfect but how else will they ensure people stick around for the release of Dinosaur?

Short film review – The Ugly Duckling (Jack Cutting and Clyde Geronimo, 1939)

This Walt Disney Productions short animation fell under the Silly Symphony banner when it was released in 1939. It went on to win the Academy Award for Best Animated Short, the eighth in a run of eight Walt Disney films to do so.

It’s a fine little episode that tells the tale of a swanling that somehow ends up in a nest of ducklings, and is immediately shunned and ridiculed for being different to his surrogate brothers and sisters. 

A duck? Nah you must be quackers.

It curtails the original Hans Christian Andersen story by removing the whole extended pain of being without a family for around a year, skipping straight to the point where he is found by a swan family, presumably his own. In doing so, they miss out the point where he turns into an adult swan and the ducks are in awe of his beauty.
In its short sub-nine minute running time, it manages to fit in a surprising amount of substance. This is, for the whole part, a tale about an orphan who is unwanted by his new family. This would surely resonate with anyone in any element of this situation, and there is no holding back when the mother and father have a full-blown argument in front of the innocent swanling. Indeed, there’s a suggestion from the drake that since he looks nothing like the swan then perhaps his duck wife has been sleeping around. Or perhaps I’m reading too much into it.

The animation is, inevitably, a thing of beauty. Two of Disney’s Nine Old Men were on animation duty (Milt Kahl and Eric Larson) and it certainly has the feel of one of their classic films (it was released between Snow White and the Seven Dwarves and Pinocchio). There’s a certain amount of warmth you find in these old animations that has never been replicated.

It’s probably not the best short releases around this time from Walt Disney Studios, but it is deserving of all the praise it has received over the years. Why not revisit it? You’re only 78 years late to the party!