The Bluetones and their love of fine cinema

As a child, a fortunate trip to my local Blockbuster during a clearout sale meant I was able to blow every last penny I had on four albums that significantly changed the course of my listening habits.

The year was 1997 and I was a mere twelve years of age.

Amongst them were Blur’s eponymous fifth album, Kula Shaker’s ‘K’, Supergrass’s ‘I Should Coco’ and debut The Bluetones album ‘Expecting to Fly’. All four bands are still regulars on my stereo and I’ve followed them throughout their subsequent careers, with all their variously successful (and unsuccessful) side projects.

Of course, as life-changing events go this is quite indicative of my relatively burden-free upbringing. But it stuck with me, so just deal with it.

Fast forward to 2005 and I was writing for my university music magazine. Unbelievably, I managed to secure an interview with Mark Morriss, lead singer for The Bluetones. I will admit I was entirely unprofessional in my approach, basically because I was spending a good hour with one of my idols.

The topic of album track ‘Heard You Were Dead’ came up during the interview, which featured on their second album ‘Return to the Last Chance Saloon’. I hadn’t quite segued into an information-thirsty cinema lover by this point, so the title of the song was lost on me. Mark politely explained the reference to me – a repeated quote in John Carpenter’s 1981 dystopian action film ‘Escape From New York’ – and we had a chat about how much he liked the film.

Another fourteen years have passed since then and it has become apparent that their back catalogue is littered with unlikely references to the films they love. Listening to these songs again with a more complete love of television and cinema history, suddenly the references start to jump out at you.

Here are a few of my favourites.

1. Heard You Were Dead (1997)

As mentioned above, this is a reference to the insanely brilliant John Carpenter sci-fi action film starring Kurt Russell. If you’ve never seen it before, it’s well worth checking out. If you notice there’s a sequel set in LA, simply press play on the New York one again.

The lyrics to the song aren’t steeped in Snake Plissken references, instead focusing on a friend, seemingly lost to suicide (“It was over in a moment, you passed without a sound,
I know that you were shackled, but now you are unbound”). It’s a song that sits well at the end of the band’s second album, Return to the Last Chance Saloon, the lull before the brilliantly explosive and catchy ‘Broken Starr’ that closes that album, and whose name may itself be a reference to Belle Starr, the subject of many western films.

2. Thought You’d Be Taller

Not done with the Snake Pliskin references, the boys returned to the same source material to name this b-side to Autophilia. Somewhat wasted as a b-side, this track made a reappearance on the Rough Outline compilation a few years after its release, making sure it’s a bit easier to get hold of. It’s a tale about meeting a hero and being disappointed, so the lyrics sadly aren’t an out-and-out Pliskin tale.

3. Autophilia (Or How I Learned To Stop Worrying And Love My Car) (2000)

This track is one of my least favourite tracks released as a single by the band, but it remains a firm fan favourite. The lyrics are about a man’s overzealous love for his car. The video suitably parodies ‘Greased Lightning’ from Grease, whilst the name of the song title is inspired by the full title of Stanley Kubrick’s film ‘Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb’.

4. Zorrro (1999)

Apparently not scared of adding in an additional “r” into the title of their songs, The Bluetones opened their third album ‘Science and Nature’ with ‘Zorrro’. Zorro was a swashbuckling adventure character that has had several attempted reboots over the years, most famously with Antonio Banderas filling the boots in a disappointing 1998 film called The Mask of Zorro.

This track brilliantly kicked off their third album ‘Science and Nature’. If you’ve never heard it, you’re missing out. It’s likely the band were struggling for a name for this song since the lyrics have nothing to do with the Zorro franchise, instead concentrating on some mysterious celebration day. Indeed, it would have made more sense had it been called ‘The Wicker Man’, but then the band never liked to leave the crumbs out in the open.

5. Serenity Now (2005)

In 2005, The ‘Tones released a cracking four-track EP titled Serenity Now. The title track is arguably one of their finest pop singles and certainly one of their most underrated. A couple of years later I was working my way through Seinfeld and got to the Season 9 episode ‘The Serenity Now’. The episode features George Costanza trying to maintain his anger using a calming technique he learned from his father, who was advised to say “Serenity now!” every time he felt his anger boiling over. It’s a brilliant episode of a brilliant season of a brilliant sitcom.

The song is just as good. It kicks off with a twisting, memorable guitar riff from guitarist Adam Devlin, before firing itself into a vocal melody as catchy as anything Mark Morriss has ever committed to record. It has borrowed the title from Seinfeld as a homage, with lyrics focusing on the hatred towards a disruptive person (“Everybody you meet wants to knock your, teeth out”) and regret over not standing up to them sooner. My only issue is seeing George Costanza every time I hear the song now.

6. Hey Schmoopy (2010)

‘Serenity Now’ wasn’t the last time they showed their love of Seinfeld. Their sixth album ‘A New Athens’ featured a secret track. Titled ‘Hey Schmoopy’, it’s a reference to one of the best ever episodes of Seinfeld – The Soup Nazi. In the episode, Jerry has a new girlfriend called Sheila who he keeps referring to as “schmoopy’, much to the ire of George.

The song is a simple ukulele-led instrumental song, so it’s likely that it was finished on the same day as the band watched an episode of Seinfeld and they named it after that.

7. The Fountainhead (1995)

‘The Fountainhead’ was one of the band’s first ever singles, initially finding a home on the Fierce Panda label in 1994. The name is inspired by the novel of the same name, or more likely the film adaptation from 1949 starring Gary Cooperas Howard Roark. In it, a young architect wants to work in ‘modern architecture’, despite the film he works for tending towards traditional designs.

I had always thought this song was about a failing romantic relationship but with the knowledge of the film it is more likely to be about the storyline of the film.

“God knows I’ve tried to bridge the gap,
I’ve tried to be me and time after time I’ve lied,
Just to say the things you wanted to hear”

8. Castle Rock

‘Castle Rock’ is named after the fictional town that provides the setting of many Stephen King stories. They include ‘The Body’ (a.k.a. ‘Stand By Me’), ‘Rita Hayworth and Shawshank Redemption’ and ‘Cujo’.

I can’t see any reference in the lyrics to anything in any of the films. I’m sure the chorus would have been improved with the phrase “I think I might be losing my way” being replaced by “I think that Chopper’s sicking my balls”, even though it wouldn’t have fit tonally.

9. After Hours (2002)

The lyrics aren’t any kind of reference to films (other than a glancing nod to Fred Astaire), but the Edgar Wright music video is a joy to behold.

It’s clearly inspired by 1976 musical comedy film Bugsy Malone. It’s a prohibition-era bar, serving milk rather than beer and starring children as the gangsters. It comes complete with dancing children and a punchline gag involving the band and some cream-firing guns.

Edgar Wright is good friends with The Bluetones and has regularly collaborated with the band throughout his career. He directed the music video for ‘Keep The Home Fires Burning’ in 2000. They starred in an episode of Spaced in 2001 titled ‘Mettle’, which centred around a robot wars tournament (in which the band competed). He featured their Science and Nature track ‘Blood Bubble’ in the trailers to promote the series. Later on, Sleazy Bed Track was used his film in Scott Pilgrim vs The World.

Their work together never got any better than the After Hours music video and it’s a real underrated gem.

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Well now I just want to listen to The Bluetones.