I’ve had a fantastic time over the first week of the BFI London Film Festival. I’ve laughed, cried, been angry and been confused by a rich plethora of cinematic delights.
Here is a link to all the films I’ve managed to catch so far:
A United Kingdom
La La Land
Psychonauts: The Forgotten Children
Queen of Katwe
Here’s to the second week of the festival!
Set primarily in Germany in the immediate aftermath of the First World War, François Ozon’s latest film is an emotional story portrayed almost entirely in black and white. It revolves around Anna (Paula Beer), a woman who is living with the parents of her lost lover and supporting each other in their collective grief. That man is the titular Frantz (Anton von Lucke), who we learn has lost his life in battle during the war. When a Frenchman by the name of Adrien (Pierre Niney) shows up at Frantz’s grave to give his respects, he tells them of his close friendship to their mutually lost friend.
Adrien (Niney) and Anna (Beer)
Ozon is something of a prolific filmmaker on almost the same level as Woody Allen. Since his celebrated debut feature length film Sitcom in 1998, he has written and directed sixteen films, amongst them the critically acclaimed Swimming Pool and the highly successful Potiche. Yet Frantz is, by all accounts, a departure in style for him and sees him in relatively unfamiliar territory with a historical war drama.
It is based on the play ‘L’homme que j’ai tué’ by Maurice Rostand. Before writing his script, Ozon was unaware that the play had already been adapted by legendary filmmaker Ernst Lubitsch as the film Broken Lullaby in 1931, though when he watched the film he realised that it was a completely different treatment to the direction he wanted to go with Frantz. He wanted to give the focus of the film to Anna, who was on the losing side of the war, providing more empathy to her as the central character.
There is an interesting chemistry between Beer and Niney, both of whom are playing extremely complex characters. They share this individual that has had a huge affect on their respective lives and begin to grow closer. Providing convincing characterisations of such conflicting emotions is a challenge both rise to and it is this that elevates the film above being a wartime drama.
It was amazing to learn that this was Beer’s first performance acting as a French-language character. Many successful actresses couldn’t achieve what she has here in their first language let alone their second one. She revealed in a post-screening discussion that she had to learn and develop the script twice. Initially she developed the emotional responses to the words in her native German, before relearning the entire segments in French to ensure her delivery wasn’t lacklustre.
This is a truly moving film that gives an interesting point of view to the fallout from war that hasn’t often been explored before. Superb delivery from the two complex central characters means this comes highly recommended.