Star Wars Celebration Europe 2016

I’ve just arrived at the Star Wars Celebration Europe event in London, a weekend of fun for anyone who loves all things Jedi!

It was a bit of a rush this morning but we’ve managed to get on site, pick up our tickets and get wristbands for two popular events:

– An Hour With Mark Hamill

– Rogue One: A Star Wars Story

With about an hour to go until the pandemonium that is the opening of the hall, we couldn’t be more excited. Our group is setting each other small trivia questions, most of which result in a correct answer (eventually). Apart from any answered by me – I couldn’t even tell a Magnaguard from an Imperial Guard.

I just feel sorry for the guy who came dressed as adult Anakin for the cosplay event. Why?!

See you around here.

Where is Nintendo’s Wii U console right now?

Last week, Nintendo excitedly announced plans of their next console. Temporarily named Nintendo NX, the console is due to hit the shelves in March 2017.

The news is a bittersweet result for owners of the Wii U, a group to which I am a member. On the one hand, Nintendo’s innovative consoles are always something that reinvigorates the gaming industry, in a time where Sony and Microsoft are happy to simply enhance the power of their machines and add different numbers to the console names and their biggest franchise. Not that there’s anything wrong with that – clearly the popularity of the PS4 shows they are doing something right, with some 40 millions units sold so far.

The Wii U, on the other hand, is generally considered to have been a failure. With only 12.8 millions units sold, it is clear it has performed far below expectations. Whilst this is more than the Xbox One, unfortunately the sales have all but stopped, sharply declining in Q4 of 2015-16.

It isn’t like Nintendo gave up on it years ago, despite it clearly being a losing battle. There have been some of the genuinely impressive Nintendo games released, including the unexpectedly user-friendly Mario Maker, arguably the best Mario Kart game of all time, arguably the best game on the console in Super Smash Bros., the most enjoyable multiplayer platformer I’ve ever played in Super Mario 3D World. 

How do you solve a problem like Zelda?

Unfortunately, there are some massive holes in the release cycle too. The biggest failure is the lack of 3rd party support. Other than Bayonetta 2, a console exclusive, there hasn’t been much to shout home about. Rayman Legends, originally announced as an exclusive, was delayed and then released as a multi-console game. 

This wasn’t the biggest let down of the promises made before release. One of the reasons it was able to stir up a lot of interest prior to its release was a tech demo of a new HD Legend of Zelda game, which first appeared at E3 in 2011. The console was release with no Zelda launch title, but two months later a release date was unveiled, positioning the game for a 2015 release. 

The year came and went with no game, leaving Wii U owners hanging on for more information. More recently, it was announced that the game would release simultaneously on both the Wii U and NX. Essentially, if a Wii U owner wants the best Zelda experience going, they will have to invest in the next console.

So where does that leave Wii U?

Unfortunately for Wii U owners, the situation is looking largely precarious. The console has had some brilliant games, but more recently the releases have slowed down and don’t really feel like new releases at all. Only surprise hit Xenoblade Chronicles X has shown itself to be a success with fans and critics as a new release. All the other big releases have either been terribly received (Amiibo Crossing and Mini Mario and Friends: amiibo Challenge) or simple re-hashes of older games (two Zelda HD remasters and a Star Fox remaster that was packaged as a brand new game). 


These are simple sticky plasters for a console that is beginning to show cracks, but looking ahead the future looks even more bleak. The multi-platform Lego Star Wars: The Force Awakens might ignite some interest for owners with only a Wii U at their disposal. The Mario and Sonic at the Olympics series has never really been popular. 

Tokyo Mirage Sessions #FE was popular in Japan when it was released last year, and the Western release is likely an experiment from Nintendo to test the water with Asia-specific releases. If it’s popular then the floodgates might open to allow more games that are currently Asia-exclusives to see releases in the Western markets.

It is likely that another Mario Party will be announced at E3, as they appear to be very easy to create and utilise the still-popular amiibo toys. Given the lethargy about the last release, it will be a simple cost analysis to see if they’ll make a profit on it. If so, it will be green-lit.


The one glimmer of hope comes in the form of Paper Mario: Colour Splash, set for a 2016 release. The exact details of this release are yet to be announced, but this one standalone release has an air of “I’ve started so I’ll finish” about it.

Why should Nintendo bother?

Unfortunately for Wii U owners, that’s not an easy question to answer. Realistically, the console cannot be revived and the small ownership isn’t worth targeting with a massive new game that might as well be delayed and released as a launch title for the NX. 

The only purpose of announcing a new and exciting game on the Wii U at this stage would be to thank the fans for their patience and keep them happy ahead of the release in a year’s time.

Whether this will happen remains to be seen.

Film review – Joy (David O’Russell, 2016)

Of all the stories of all the people that have ever existed on this planet, perhaps one of the last you’d think to turn into a film would be that of Joy Mangano, inventor and telesales presenter. It’s not that she’s unremarkable or boring, but she is far from a controversial character. What she does encompass, however, is both a traditional tale of the American dream and a figurehead for strong-minded women that have ever felt oppressed in work or at home.

If you’re wondering what Joy Mangano looks like in real life, there’s a popular video below of her selling her first major breakthrough invention: The Miracle Mop. From then on she became a self-made millionaire, invented many more successful products and created a business empire.

It has to be said that whilst she may be a household name across the USA, the rest of the world remains unaware of her background. Or at least they did. That was until the film Joy came along. Starring Jennifer Lawrence in the title role alongside the likes of Robert De Niro, Isabella Rossellini and Bradley Cooper, the film reveals the journey she went on to get to where she is today – from divorced mother-of-two working for Eastern Airlines right up to her first business successes.

The first forty-ish minutes of the film try really hard to give us a potted history of the causes of Joy’s personality traits, actions and outlook. It usually works on a scene-by-scene basis but the pacing causes issues and seems to lack direction until Joy herself finds a focus in her life.

joyscreenshot

From this point on the film has hit its stride and she breaks free from the oppression and the doubters. There are moments of humour (which surely explains the Comedy Golden Globe nomination, no?), edge-of-the-seat excitement (her first sell on QVC springs to mind) and fist-pumping success (I recall here a scene near the end set in a California hotel room). This is all driven by a remarkable performance by Jennifer Lawrence, reminding the world again that she isn’t just the girl from The Hunger Games but rather a girl with acting talent far beyond her years.

So whilst this film has its merits, the scatter-gunned first act and lack of consistency mean it won’t go down as one of the great films of the year, though Lawrence’s performance is worth the ticket money.

Joy is on general release globally now.

 

 

 

 

Film review – Room (Lenny Abrahamson, 2015)

Much more understated in its promotional campaign than its awards season rivals – and a much harder film to describe with any vigor and make it sound interesting – Room is a film that simply needs to be seen. It may not seem it but it’s a wonderful hidden gem, the quality of which will only become apparent once you’ve seen it.

It is a film set in two distinct acts. The first act is based entirely in the room in which a woman known as Joy (Brie Larson) and her five-year-old son Jack (Jacob Tremblay) have been held captive by the mysterious Old Nick (Sean Bridgers). Following their release, they are reunited with Joy’s family and the outside world – a world that has left Ma behind and that Jack has never even experienced. Overwhelmed by their new freedom and affected by their psychological damage, we follow Joy and Jack as they try to find any kind of normality in their new life.

roomscreenshot

Jacob Tremblay and Brie Larson in Room.

The tiny room is suffocating in its lack of space and the feeling of being trapped is never more convincingly portrayed than when Jack is hiding in his cupboard. Looking primarily from his point of view in this first act, the room comparatively seems quite large – to him it is the whole world as he knows nothing else.

Through the unavoidable depressing nature of the situation, there are moments included that are truly uplifting. Seeing Jack finally open up to a family member is a beautiful moment. Indeed, it is surprising that Jacob Tremblay hasn’t been singled out for his stunning performance as Jack, a child who has gone through an impossible first five years of life. He has either been coached really well or is a true natural.

That said, Brie Larson can rightfully take the praise for her leading performance. Her character has taken the journey from childhood to motherhood within the confines of one small room and has remained strong for the sake of her child. The emotional turmoil is all there to be seen. It is deliberately difficult but equally rewarding to witness.

An early contender for one of my top films of the year.

Room is on general release globally now.

Academy Award for Best Original Song 2016

There are five songs nominated in the shortlist for the Academy Award for Best Original Song Academy Award. Here’s a complete list with the videos.

“Earned It” from the film Fifty Shades of Grey
Music and lyric by Abel Tesfaye, Ahmad Balshe, Jason Daheala Quenneville and Stephan Moccio; performed by The Weeknd

“Manta Ray” from the film Racing Extinction
Music by J. Ralph; lyric by Antony Hegarty; performed by J. Ralph and Antony

“Simple Song #3” from the film Youth
Music and lyrics by David Lang; performed by Sumi Jo

“Til It Happens to You” from the film The Hunting Ground
Music and lyric by Diane Warren and Lady Gaga; performed by Lady Gaga

“Writing’s on the Wall” from the film Spectre
Music and lyric by Jimmy Napes and Sam Smith; performed by Sam Smith

Academy Awards 2016 – Nominations in Full

BEST PICTURE
The Big Short
Bridge of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant
Room
Spotlight

BEST ACTOR
Bryan Cranston, Trumbo
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl

BEST ACTRESS
Cate Blanchett, Carol
Brie Larson, Room
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years
Saoirse Ronan, Brooklyn

BEST SUPPORTING ACTOR
Christian Bale, The Big Short
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed

BEST SUPPORTING ACTRESS
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Rachel McAdams, Spotlight
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs

DIRECTING
Adam McKay – The Big Short
George Miller – Mad Max: Fury Road
Alejandro G. Iñárritu – The Revenant
Lenny Abrahamson – Room
Tom McCarthy – Spotlight

ADAPTED SCREENPLAY
The Big Short
Brooklyn
Carol
The Martian
Room

ORIGINAL SCREENPLAY
Bridge of Spies
Ex Machina
Inside Out
Spotlight
Straight Outta Compton

ANIMATED FEATURE FILM
Anomalisa
Boy and the World
Inside Out
Shaun the Sheep Movie
When Marnie Was There

ANIMATED SHORT
Bear Story
Prologue
Sanjay’s Super Team
We Can’t Live Without Cosmos
World of Tomorrow

DOCUMENTARY FEATURE
Amy
Cartel Land
The Look of Silence
What Happened, Miss Simone?
Winter on Fire

DOCUMENTARY SHORT
Body Team
Chau, Beyond the Lines
Claude Lanzmann
A Girl in the River: The Price of Forgiveness
Last Day of Freedom

MAKEUP AND HAIR STYLING
Mad Max: Fury Road
The Hundred-Year-Old Man Who Climbed Out the Window and Disappeared
The Revenant

ORIGINAL SONG
The Weeknd’s “Earned It” (from the film Fifty Shades of Grey)
J. Ralph and Antony’s “Manta Ray” (from the film Racing Extinction)
David Lang’s “Simple Song #3” (from the film Youth)
Lady Gaga’s “Til It Happens to You” (from the film The Hunting Ground)
Sam Smith’s “Writing’s on the Wall” (from the film Spectre)

SOUND EDITING
Mad Max: Fury Road
Sicario
Star Wars: The Force Awakens
The Martian
The Revenant

FILM EDITING
The Big Short
Mad Max: Fury Road
The Revenant
Spotlight
Star Wars: The Force Awakens

FOREIGN LANGUAGE FILM
Embrace of the Serpent
Mustang
Son of Saul
Theeb
A War

ORIGINAL SCORE
Bridge of Spies
Carol
The Hateful Eight
Sicario
Star Wars: The Force Awakens

PRODUCTION DESIGN
Bridge of Spies
The Danish Girl
Mad Max: Fury Road
The Martian
The Revenant

VISUAL EFFECTS
Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens

COSTUME DESIGN
Carol
Cinderella
The Danish Girl
Mad Max: Fury Road
The Revenant