The second day at Glastonbury is when the fun starts to get interesting. A few familiar acts start to pop up and by and by and nobody has a 50 minute pilgrimage with a 40kg weight strapped to their back to kick off the day.
Our first act of the day was Wilko Johnson on the William’s Green Stage. It was a short set (about 30 minutes) followed by a long interview (about 30 minutes) followed by an exclusive screening of the new Julien Temple documentary The Ecstasy of Wilko Johnson, ostensibly about Wilko’s battle with cancer as he was given ten months to live. It covers this period, then goes on to what he describes as “extra time” and then his miraculous recovery following some radical treatment. The film was a fantastic introduction to Wilko’s music (admittedly I’m not overly familiar with it) and a fascinating insight into people battling with terminal illness. Well worth watching when it appears later this year.
Later on we caught a bit of Elle and the Pocket Belles at Avalon Café. Their set was the perfect way to see in the sunny evening as they nailed a series of popular tunes with their own style of blended vocals and punchy brass backing. I think they’re playing elsewhere over the weekend so I’m hoping to bump into them again.
Beans on Toast was next on the Hell Stage in Shangri-La. It was heaving and it was obviously a hot ticket but it didn’t really resonate with me. It’s and act that has become a frequent performer at festivals though and if you like political statements in humorous song form then maybe you’ll be more inspired.
The evening became a bit of a blur after this, though I do recall dancing to Prince’s “Raspberry Beret” in the Park Silent Disco in the early hours of the morning. It would have been rude not to.