LOLA is a beautifully constructed science fiction tale that is as innovative as it is chilling.

Directed by Andrew Legge in his directorial debut, it tells the story of sisters Thomasina (Emma Appleton) and Martha (Stefanie Martini), who together invent a machine that transmits television broadcasts from the future. Initially using it to discover cultural touchpoints 30 years ahead of time, they then switch it to the war effort. After they use it to help prevent a German attack on British soldiers, they are enlisted by the Allied Forces and begin coordinating defence strategies with Lieutenant Sebastien Holloway (Rory Fleck-Byrne).

In LOLA, Legge has created a deeply rich alternative world that plays out with a good pace to great effect. The storytelling technique utilised is innovative and delivered with great aplomb by the two leads, each bringing humour and realism to their respective roles. Neither steals the show, instead complimenting each other with natural comradery.

With a 79-minute running time, there isn’t scope to slow down and the length and pace feels perfect. It’s an exciting debut and one that rightly has those that discover it wondering what Legge will come up with next.